Wednesday, January 21, 2015

Short Story from Prompt: Write in internet chat form

Evry-Body-Luvs Messaged you!
Evry-Body-Luvs: hey! i saw ur landscapes and they're really cool!!! we should totally become internet friends :-)))))! check out my page!
G_H_Findalus: Hey, thanks! It’s always nice to know that someone appreciates my work :). But this is my account for my photography class, so I can’t follow anyone who isn’t educational. 
Evry-Body-Luvs: Hahaha but I can teach you lots ;-).
G_H_Findalus: Sorry, I really can’t. Nice meeting you though!
Evry-Body-Luvs: awwwww. hey, give me ur personal account! we can chill that way!
G_H_Findalus: Don’t have one. Sorry, bye!
Evry-Body-Luvs: cmon, i just wanna be friends! i’m really lonely :-(((((.
Evry-Body-Luvs: everybody has accounts these days! what about facebook? u got twitter?
Evry-Body-Luvs: why r u ignoring me awww so mean :’-(((((((((((.
Evry-Body-Luvs: hey u a boy or a girl.
Evry-Body-Luvs: bet ur a girl hahaha.
G_H_Findalus: You don’t know what gender I am. Please leave me alone.
Evry-Body-Luvs: hahaha total girl response. i can see ur pictures only girls would photograph birds.
G_H_Findalus: Birds are beautiful creatures. anyone could photograph them. I could be a boy.
Evry-Body-Luvs: you said could b total girl.
G_H_Findalus: I’m blocking you.

Evry-Body-Luvs-2 Messaged you!
Evry-Body-Luvs-2: HAHA NICE TRY YOU CANT BLOCK ME YOU HEARTLESS
Evry-Body-Luvs-2: SO MEAN I BET UR MOTHER REGRETS U WERE BORN
Evry-Body-Luvs-2: I CANT BELIEVE U DONT EVN WANT FRIENDSIP I JUST WNTEW TO B FRIENDS
Evry-Body-Luvs-2: PROBLLY THE WORST HUMAN ON THEB PLANET DIE

Evry-Body-Luvs-3 Messaged you!
Evry-Body-Luvs-3: Haha u posted a house photo i can see ur address i kno where u live now cant avoid me any longer
G_H_Findalus

Last online: 06/12/2013

Short Story from Prompt: "I'm not nearly old enough for you..."

“I’m not nearly old enough for you…”
“Shut up, Fred. Chess is incredible.”
Jackson carefully moved his knight forward, calculating the future possibilities. Fred retaliated by casually throwing a pawn two spaces out.
“Seriously, what are you, eighty, ninety? You should seek company your own age, old man.”
“You said if I won COD I could choose the next game.”
“I meant video game,” replied Fred. “Plus, I didn’t think you’d win.”
“And if you’d stop complaining and play the game, you’d see how like COD this is.”
Fred snorted as Jackson moved his knight again, neatly collection Fred’s pawn. “No, man, it isn’t.”
“Oh really. How so?”
Fred moved his rook out into the front line of pawns, nearly knocking over his king in the process. “This is a game for cerebral people. Like, Professor X and stuff. I don’t have the time or attention span to beat someone in chess.”
“But it’s all just strategy,” Jackson said, moving a pawn out one space. “Just like COD. Lots of famous generals used to play chess to keep their skills sharp. Like, Napoleon.”
“Dude, but I’m not nearly smart enough for stuff like this,” replied Fred. He moved the rook and casually collected the knight, throwing the plastic piece between his hands.
“I beg to differ. You just took my knight, man.”
Fred looked at the piece in his hands. “Is it important?”
Yes.
“Huh,” Fred threw the knight in the air one more time. “New deal.”
“Yeah?”
“I win this, we go back to COD.”
“Deal.”
“And you let me command your every move in team mode and be the general.”
“…Fine. But you’re still a chess newbie man.”
“Yeah,” said Fred, grinning and flipping the knight between his fingers. “But I got your little horse man.”
“…Dude, I still have one more of those.”

“Oh.”

Assassin Story with New Strikethroughs

Death By Assassin By Meredith Woodiwiss
The moon was too small to provide enough light, and the street lamps had not been lit in years. Most of the inhabitants of the city knew better than to be out after dark. Yet there were always a few stragglers that missed the unofficial curfew, who had to hurry through the darkened streets with their necks hunched between their shoulders. 
There was a thunk from within the shadows, and all in the vicinity ducked instinctively. They paused, crouching against walls, chests heaving, while a silent figure climbed rapidly up the side of a building.
The compulsion to look up grabbed the curious, and though the light was sparse, metal gleamed on the man as he ran across the rooftops. Hood catching wind, legs a blur on the shingled roof, he jumped and disappeared into the busy sea of tightly-packed buildings. 
Releasing a collective sigh of relief, and the citizens continued their frantic race home. No one could remember when the plague of assassins first appeared in the city, but they now ruled the night, open for hire to anyone from the richest noble to the poorest street gang. They were not known for their discrimination of character; just for their ruthless skill and unknown identities. And by day, the dangerous hooded men could be anyone.
With their doors shut and locked, the quiet inhabitants of Trenell finally felt safer, but never at ease.

Andryn was breathing heavily by the time he got to the house. Panting, he quietly pulled himself in through the unlocked window, making sure to close it tightly behind him. For just a second, he allowed himself to stand and breathe, pushing back the hair that had fallen out of his ponytail and over his forehead before yanking his hood up to cover his face once again.
Metal clinking softly, Andryn walked over to a table covered in shiny knick knacks standing in the hall near the window. He picked up a little golden egg and held it up to the sparse light. The surface was embedded with tiny blue stones, and pressed with a pattern of ducks following each other to a pond. There was a line of mama ducks with a few little ducks, followed by an egg with tiny webbed feet poking out bouncing along behind them all. Turning it around in his leather-clad hands, Andryn inspected the pattern, tracing it with his eyes. It was pretty cute.
Andryn slipped the egg into his pocket. Whatever rich guy lived here could consider it a down-payment.
The thick carpet muffling his heavy-booted footsteps, he made his way down the hall, picking up and examining every fancy trinket that lined the way. There were more artifacts here than in The Conquerer’s national museum, more jewels than in the royal family’s treasury.
Eventually, he made his way to what looked like the main office. It had the classic Big Desk, covered in stacks of official looking papers, anyways. Andryn crouched on a bookshelf, where he thought would be scariest, and waited. 

The bells of midnight had long since chimed when a paunchy man teetered into the office and sat down at the desk. He picked some of the papers and began organizing them, shuffling and placing the already neat piles in different orders. When the man finally deemed them suitable,  he leaned forward in the large plush chair and fixed his eyes on the doors, head twitching occasionally like he had a crick in his neck. He reminded Andryn of a chicken, with his nest of government documents and his bobbing head.
If I cut off his head, Andryn mused. would he continue to run around filling out papers and attending meetings for a few days?
The man continued to stare at the door. Andryn’s legs began to cramp. Was this man really so imperceptive that he didn’t notice what was sitting on his own bookshelf? Somehow Andryn was glad the man wasn’t a target. It would just be too easy. 
Eventually, Andryn tired of the game. He shifted just an inch, letting the wood creak beneath him. He could see the man’s head swivel in his direction, his pinprick eyes wandering gradually over to Andryn’s form on top of the bookshelf. He letting out a squawk and falling backwards into his plush seat. 
Exactly like a chicken, Andryn thought as. He hopped down from his perch. He hoped that it was dark enough in the office that the man couldn’t see his huge, cheeky grin.
He stalked around the room, going over the man’s possessions with his hands. Andryn wondered what he could touch that would make the terrified bloke speak up.
He wandered the office, fingers trailing over the numerous objects that sat in the dim lighting, ignoring the beady stares from his future employer. His fingers hit the polished surface of a medallion, lingering for a moment on the royal insignia.
“Ah… that’s… don’t…” the chicken man’s voice cracked like a schoolboy’s, each word stuttered and hesitant.
Andryn spun around on his heels and stalked towards the desk. The man gulped audibly.
He stopped in front of the desk and peered at the man through his hood. The handy one-way material meant Chicken-man only saw dark fabric where his eyes should be. Very handy for intimidation.
Andryn sat in the chair in front of the desk and put his boots up on the fine wood. Chicken-man let loose another squawk as dirt crumbled onto a letter with an important-looking seal. He pulled out a handkerchief, and dabbed at the sweat running down his face.
“I, ah, have called you here because the crown is in need of your….s-services,” the man managed to stutter out the beginning of something resembling a business plan. Andryn remained silent.
“There is a man… we require him to be d-dispatched,” Chicken-man twitched at the mention of murder.
It’s not like he’s the one who actually has to do it, thought Andryn. He never liked the ones who acted uncomfortable with the idea of ordering a kill. They were all overreacting babies.
Chicken-man picked up a folder near Andryn’s feet and brushed off some of the dirt splattered onto its surface. “We’ve compiled a folder of information on the mark. His habits, where he’s staying…”
Ah, the classic Folder of Information. Now Andryn was going to have to pretend he could read. He grabbed the folder out of the man’s shaking hands and flipped it open, inspecting each word-covered page with care before flipping it, looking for something visual to go off.
In the back there was a folded paper, ink bleeding through the waxy surface. He picked it up and unfolded it, hoping for a sketch.
When Andryn’s eyes met the pair on the parchment his heart dropped into his boots. He quickly put the paper back into the folder and stood up, tugging at his hood to make sure it was fully covering his eyes and nose. Chicken-man rose quickly to join him.
“S-so, we have a deal?” he asked, extending a quivering hand. Andryn extended his own and gave the man a quick, firm shake. He, at least, hid his trembling better.
Then he left the office in a sprint.

His feet pounded across the rooftop once again, but this time he had to remind himself to keep quiet. He had always loved the feeling of the wind in his hair, of being out when everyone else remained inside. Andryn could feel his breath rushing in and out as he leapt over the gaps between houses three stories up, defying death like it was an arrogant policeman. But his heart was still beating too fast, and not because of adrenaline. That he was used to.
It seemed to take far too long for Andryn to reach the open window of the Flying Cow, and he vaulted through it so recklessly he almost broke one of the shutters off its hinges with his boot. Once he righted himself, he crossed the room in quick strides to the dusty mirror hanging on one blank wall.
Andryn ripped the drawing from within the file, letting the other useless papers scatter and flutter to the floor like broken feathers. His hands now shaking as hard as Chicken-man’s, he ripped off his hood and unfolded the paper next to his face.
The drawing displayed the same squinted eyes. The same light hair pulled into a half-hearted ponytail. His jaw was dotted with the same stubble as the picture’s, and his ears even stuck out in the same obscure fashion.
His own face was looking out at him from a crown-issued poster, meant for an assassin.
Andryn collapsed onto the bed, but sprung back to his feet almost immediately and began pacing the room. Nervous energy coursed through his body, energy that was usually gone by the time he had ran across the city and back. His shoes made no noise on the worn floorboards as he walked back and forth, thinking and questioning and wondering.

Andryn woke up the next morning with the side of his face pressed uncomfortably to the floor of the room. He vaguely remembered pacing until his legs gave out and falling asleep right where he stopped. He stretched and rubbed his pounding head. Formulations of a half-thought out plan from the previous night began to come back to him. Andryn pushed himself onto his elbows and off the floor.
He had fallen asleep in his assassin’s gear. He removed the hood that had become askew in the night, and hung his heavily padded jacket on a hook behind the door. He left his tool belt behind also, hiding the knife-decorated leather in a sack under the bed with his crossbow. The heavy boots, tattered grey shirt, and thick trousers he kept on.
Andryn walked down the stairs of the inn, adopting a bowlegged swagger as he went. He walked to the front desk and leaned against it, smiling brightly while waiting for the owner of the inn to finished speaking with another guest.
“Tomath!” the owner turned to him, a genuine grin equal to Andryn’s false one lighting his face. “You’re up!”
“Gotta get an early start today, Mr. Fanin,” Andryn said to the portly man, adopting a country drawl. “I’m headed back home this afternoon.”
Mr. Fanin’s smile drooped within the folds of his beard. “So soon, lad? I thought you’d be staying until the Fall Festival.”
Andryn sighed and rubbed his forehead, a picture of worry. “My sis’ fell off one of the horses. She’s broken her wrist. I gotta be home t’ help with the harvest.”
Mr. Fanin tutted. “My! I’m sorry to hear that. But what about your family’s market stall?”
“My gran’s feeling better, so she’s going to take over again,” Andryn said, remembering his original cover story. “I was really just kickin’ around t’ use the rest of the time we paid for.” 
“Oh, lad,” said Mr. Fanin kindly. “I’ll refund the money! You’ve been such a joy to have, never making a peep, cleaning your own room…”
That was a nice touch, thought Andryn.
“… not to mention how you’ve more than earned your keep babysitting! You’re practically family now, lad.”
“You’re too kind, Mr. Fanin,” Andryn summoned a blush to his cheeks. “S’what I’d do for anyone.”
“And modest too,” Mr. Fanin winked. “Ah, the inn just won’t be the same without you, boy. Tell you what, get packed and we’ll have a big old family brunch to say goodbye.”
“Oh, sir, you don’t have to do that!” Ooh, free food.
“Nonsense! The girls will want to see you off anyways. I’ll tell the wife. Be back down by eleven, y’hear?”

By that afternoon Andryn was setting off on the dusty road from the inn, with a pack on his back and a belly full of sticky buns. The Fanin family had prepared him a grand send off, with more food than he had eaten since his last payload. It was nice to see the kids, Sashia and Malaya, for one last time too.
But now Andryn had to get ready for the oncoming storm. Somebody wanted him dead? Well, they would get him dead. But it was going to take some figuring.
He would need a body, a match,  a couple of handfuls of straw, and some rope.

It was twilight when Andryn reached the dark alleyway he had chosen for his death. He threw a sack containing some half-rotted guy from the city crypt down onto the cobblestones and dragged the corpse out.
Andryn grabbed his rope and tied it under the dead man’s armpits, throwing the other end over an old flagpole that stuck out over the alleyway. He hoisted the body up until it would look like a regular man standing around from the street. Fixing his hood, Andryn pulled out his knife and waited.
It didn’t take very long for the doors in the nearby pub to open and spill half a dozen intoxicated patrons onto the street. Showtime, Andryn thought.
With quick, practiced motions he began stabbing the corpse in its rotted gut, making noises in the back of his throat that he had heard his marks make before. Hearing the odd, guttural sounds, one of the pub-goers turned to the alley and gasped.
“Ah- ah… Look!” he yelled, nearly losing his balance and falling over one of his friends.
Murder! Assassin!” screamed a girl.
The crowd erupted into intoxicated shouts of despair, milling around each other uselessly. Andryn finished mauling the dead man and jumped up onto the roof of one of the buildings, scrabbling from windowsill to windowsill until he reached his high perch. Then, he pulled out a match and struck it on the rough stone.
Andryn dropped the lit match down into the alley. The straw he had placed on the cobblestones earlier that day quickly caught fire. The dark alleyway lit up with bright flames, a tiny personal hell, as the terrified people screamed. It was hilarious.
As a final touch, Andryn stuck the knife inside his hood and carefully sawed off his ponytail. He stared at the gold skein in his hands before dunking it into the water in the roof’s gutters.
“Farewell, my friend,” he said, and dropped three years worth of hair down onto the flaming body.
Andryn fled the rooftop to find a more suitable place to watch his chaos from.

Thanks to the screams of the pub-goers, the Royal Guard turned up quickly, dousing the fire with water from a nearby trough. The majority of the city’s makeshift policemen began questioning witnesses, but two were loading what was left of the body into the back of a wagon.
Andryn watched the wagon pull away, headed towards the city pit. He followed on the rooftops, just a few seconds behind the trotting horses on the street.
It was dark by the time they reached the giant hole at the edge of Trenell. The pit in which the military threw the unclaimed dead stank with decay. Andryn wrinkled his nose and leaned just slightly out of the shadows to watch the guards.
They had take “his” body out of the carriage and appeared to be trying to identify it. The guards had multiple pieces of paper and were holding them up to the battered face of the deceased. He saw one holding out his hank of hair as well, which had singed but not burned thanks to the water, and jabbing his finger at one image in particular.
After a while they both seemed to agree and scratched at a piece of paper with a quill. Then they dumped the body with little ceremony, unsaddled the horses from the cart, and rode back towards the city. They left the little guardhouse wide open. Suckers. 
Andryn walked into the unlocked guardhouse. In the din, he found two messy piles of paper on the desk. One was completely made up of written documents; those he put into his coat for later. The other was pictures, very similar to the one he was given of himself. They showed a wide variety of men, all in a simple forward-facing pose. He stuck these in his jacket also, and headed back into the heart of the city under the cover of darkness.

The Pigeon was probably at one point a very respectable pub, meant for tired, law-abiding citizens to relax after a hard days’ work. However, when a few assassins had taken a liking to it, it’s reputation had quickly gone downhill. Now the owner trembled as he served amber whiskey to hooded men, and a for-sale sign was hopefully and permanently lodged in the window frame.
Only one of the three fireplaces were lit to stave off the end-of-summer chill, but it cast just enough light to see by. Andryn made a beeline to a stool by the only oil lamp in the establishment.
Dirty spectacles flickering in the firelight, a young man sat reading a book that was thicker than his forearm. His eyes moved back and forth at such a rapid speed that they looked like they may bounce out of his skull. He was referred to as “Books” by the assassins, for obvious reasons.
Andryn pulled a chair up in front of Books and cleared his throat. Books did not look up, but extended one skinny finger in front of himself. Andryn sat patiently.
After a few minutes Books slammed the novel shut, making a bang that startled the patrons of the pub. He carefully set the book on a cloth spread on the floor, then turned his attention to Andryn.
“So,” he said, looking at Andryn with a vague, languid interest. “Got anything interesting for me?”
Andryn pulled the papers out of his coat, unfolding them and handing them to Books.
“Hrmm,” Books looked over the papers rapidly, lips moving as he processed each one. “Nice.”
He looked up at Andryn blankly, sitting on his information like a hen on her eggs. Andryn pulled a silver coin out of a pouch on his belt and flicked it to him.
Books reached out to catch it, but missed. It hit the floor with a clatter, forcing him to pick it up, muttering curses under his breath. Andryn smiled at the picture of ruined bravado.
Books straightened and pushed his glasses up on his nose. “Its mostly just profiles. You know, like the ones officials give when they order a kill. The only one of interest is this,” Books pulled one of the sheets of parchment to the top of the pile. “It’s a list.”
Andryn rotated his chair so he was next to Books, looking over his shoulder at the indiscernible markings. “A list of what?” he asked.
Books shrugged. “I don’t really know what it means,” he said. “But over here are the names of Assassins.” He ran his fingers down one side of the page. “Fire-breath. Stormer. Vanders the Ruthless. Even you’re here, Shadow-smoke.”
He brushed the column of text on the other side of the parchment. “Then on this side there are normal names, like Leon Fellows and Andryn Summenset and Menbran Allahanan.”
Andryn’s eyes widened. Someone had made the connection between him and his career. Even worse, that someone was the Royal Guard.
Unable to see Andryn’s shocked expression, Books continued. “Then someone drew all these lines across the page in charcoal. They connected all the assassins to the regular folk. You got that Andryn guy.” Books shrugged and handed back the paper. “It looks like some sort of master hit list to me. Do you want me to give you all the names as well?”
“No. No, it’s all right,” Andryn said, his mind all ready racing. “Thanks, Books.”
Andryn stood up and took the papers, absently placing another silver coin in Books’s hand. He could barely feel his own feet as he walked out of the Pigeon.
Once outside, Andryn collapsed against the wall and slid down onto the cobblestone. Someone, or more likely multiple, important someones, knew the identities of all the Assassins of Trenell. Not only that, but they were ordering them to kill each other off. They had accidentally assigned Shadow-smoke, him, to kill Andryn Summenset, also him.

It was all so complicated, Andryn almost wished he was dead.

Exam Notes

What purpose does writing serve? (V.s. film and audio)
Writing is very different from film and audio, and can convey many different things that those mediums cannot. Because of different points of view that can be presented while writing, more empathy can be stimulated in the reader. They can experience things that they might never experience through the eyes of someone else. While film may create a similar effect, it is not as good as writing because in writing you also have access to all of the thoughts of a character, as opposed to simply being a witness of certain events. 
Also:
  • Imagination
  • Vocabulary
  • Allows for more description
  • Quality time
  • Books leave more up to interpretation
  • No right or wrong answer
  • Larger stories
  • You experience it (emotional investment)
  • Spread of ideas
  • Your writing improves
  • It’s a sum of experiences
  • Unlimited by special effects or depth of reality
  • Film is a new medium, while writing has much more history
  • Watching is passive, reading is active
  • Gathering experience

Why do humans write things down?
  • Initially, to remember things better
  • Our only form of immortality
  • To continue social evolution
  • To express things you are too afraid to say.
  • Teaches empathy
  • Personal emotional outlet

Is writing a narcissistic act?
  • Intend to entertain self and others
  • Want to be remembered
  • Is narcissism really bad?

Why is fiction more useful that hard facts?
  • Can’t relate to numbers
  • No personal context
  • We are in denial about the world
  • Satire


Exam

  • Opinion question
  • Build on article in relation to self
  • Standard essay response
  • 1000 words

Writing like C.S. Lewis with Notes

Once there was a girl named Emily, whose Mother loved to go to garden parties. Now, the majority of these parties were very dull, and Emily never enjoyed them very much. However, this particular party ended up being quite interesting, and so this is where I’m going to begin her story.
It was a surprisingly sunny day for England, and Emily would have much preferred to have spent it playing outside in her own garden, running amuck around the trees, pretending to be a princess or a warrior in some far away kingdom, or generally acting in a way that would be considered improper.
“Now darling,” Mother said. “Do not get your dress dirty, and remember to behave yourself while the adults are talking.”
Emily said nothing, because she was very cross to have her day wasted by a boring garden party.
They walked together through the back gate of some rich woman’s city house and into a small but lush garden. It was very beautiful, with roses blooming in all different colours, and lavender filling the air with heavy, sleepy scents. Tables had been laid out with little finger sandwiches and pots of tea for the adults to enjoy. Many of them were already milling around wearing pale shades that matched the blossoms that surrounded them, picking at the delicious food and making polite conversation. Even the sleepy willow tree in one corner that stood in front of an ivy-covered wall seemed to blossom with colour. It would be a very lovely place to spend an afternoon, Emily thought, if she had been allowed to do as she pleased there.
It was not long before a woman came up to Emily’s Mother, with a small boy in tow. The adults greeted each other with gentle hugs and meaningless pleasantries, while the children looked each other over cautiously. They could both tell that, as the only two youngsters at the party, they were going to be lumped together and expected to entertain each other for multiple hours.
“Emily, this is Hubert,” Emily’s Mother said. “You can play with him while Mummy chats with the adults, all right?”
Emily nodded quietly, knowing fully well what was expected of her at these sort of events.

The two children were given directions to the kid’s table, where juices and cookies would be waiting for them, and left to their own devices. They began walking in silence towards the back of the garden, sullenly accepting their fate to be either bored or in trouble for the rest of the afternoon.

For my performance task I chose the author C.S. Lewis, because I really admire the way in which he can tell a story in simplistic yet elegant terms. Reading through his The Chronicles of Narnia series, I tried to take notice of some particular stylistic things he did and apply them into my own short story. First off, I noticed that he writes in a very novice fashion, over-explaining and “telling” many things, breaking the fourth wall, and using many run-on sentences. While in some works this might make the writing unbearable to read, for C.S. Lewis it simply adds idyllic charm, and completes his fairy-tale air. He also has a tendency to only tell his exposition through addressing the audience directly or by having another character tell the others exposition through stories. Again,  while these methods may be seen as amateur, he makes them work in a fun and smooth-flowing way. As for actual content, he prefers to use children and talking animals as the protagonists,  imbedding christian symbolism in the stories, and having intricate fantasy settings he describes in heavy detail. The end product is a potent fairy tale that will be remembered through one’s entire lifetime. 

I started the story off with a very classic “Once there was…”. C.S. Lewis does this classic fairytale start with almost every single one of his books:

“This is a story about something that happened long ago when your grandfather was a child.” -The Magician’s Nephew
“Once there were four children whose names were Peter, Susan, Edmund and Lucy”
- The Lion, the Witch and the Wardrobe
“This is the story of an adventure that happened in Narnia and Calormen…”
- The Horse and His Boy
“Once there were four children whose names were Peter, Susan, Edmund and Lucy, and it has been told in another book…”
-Prince Caspian
“There was a boy called Eustace Clarence, and he almost deserved it.”
- The Voyage of the Dawn Treader
While these beginnings may seem to some to be almost immature and simplistic, I think it is very near the perfect way to start a story. It throws the reader right in, with no lollygagging or confusion about the topic idea or characters that are about to be portrayed.

Here, I address the reader directly and specifically state that this is a story. C.S. Lewis also did this multiple times throughout his books:

“I hope you all won’t lose interest in Jill for the rest of the book…”
- The Silver Chair
“I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night…” -The Lion, the Witch, and the Wardrobe
I found this very interesting, because while you may think statements like these would alienate the reader they always served to make me feel closer to the story and its protagonists. 


Here I address Emily’s mother as simply Mother. I have capitalized it because it will be her official name for the story. C.S.Lewis does not place very much importance on adults, especially in his earlier books; all his protagonists are under twenty, and the majority are under twelve. The mother in this story mainly serves as a vessel to get Emily to the garden party, where I would have the real plot take place.

This sentence here is very telling, and even uses “because” as a conjunction. However, C.S. Lewis frequently used sentences like this while explaining the emotions and reasons for the actions of the characters.
“Because the game of hide and seek was still going on, it took Edmund and Lucy quite some time to find the others.” -The Lion, the Witch, and the Wardrobe
I think that while this may be an immature way of writing, it is very “of the style” of C.S. Lewis, and makes my writing look and sound more like his.

Throughout his books, C.S. Lewis describes many different fantasy settings. I noticed that he usually describes these in full and intricate detail, leaving almost nothing to the imagination and painting a full picture the reader can easily see in their head. For example, here is how he described an abandoned treasure room:
“For now all knew that it was indeed the ancient treasure chamber of Cair Paraval where they had once reigned as kings and queens of Narnia. There was a kind of path up the middle (as in might be in a greenhouse), and along each side at intervals stood rich suits of armour, like knights guarding the treasures. In between the suits of armour, and on each side of the path,were shelves covered in precious things - necklaces and arm rings and finger rings and golden bowls and dishes and long tusks of ivory, brooches and coronets and chains of gold, and heaps of unset stones lying piled anyhow as if they were marbles or potatoes - diamonds, rubies, carbuncles, emeralds, topazes, and amethysts. Under the shelves stood great chests of oak strengthened with iron bars and heavily padlocked. And it was bitterly cold, and so still that they could hear themselves breathing, and the treasures were so covered in dust that unless they had realized where they were and remembered most of the things, they would have hardly have known they were treasures. There was something sad and a little frightening about the place, because it all seemed so forsaken and long ago. That was why nobody said anything for at least a minute.”
-Prince Caspian
As you can see, his style was very detailed and expressive, and I tried to transfer those factors into my own writing. However, he also has a tendency to let his sentences run on a bit, using multiple commas within one and not ending it until he has communicated multiple points. I didn’t think this factor seemed very professional or add charm,  and so I decided to leave it out.

Frequently C.S. Lewis shows that he has access to multiple character’s thoughts, and refers many times to the Penvensie children as a group with group thoughts. For example:
“They were all wondering what to do next, when Lucy said…”
-The Lion, the Witch and the Wardrobe.
“…Everyone was feeling that the holidays were really over and everyone felt their term-time feelings begin again…” -Prince Caspian

I liked the way this gave the groups of people a sense of cohesiveness, and showed the reader the feelings an environment gave off. I tried to incorporate this in these two paragraphs by showing two different groups and their collective actions and thoughts.

Monday, January 5, 2015

Analyzing Popular Media with LOCK

Song of the Lioness series by Tamara Pierce
Lead 
- Lead character is a girl who has to disguise herself as a boy to become a knight.
- Setting is a medieval world with many different cultures, lots of politics, and magic.
Objective
- Character wants to be the first ever woman knight, which requires a lot of secrecy.
- She wants to both get her shield and to get away from the expectations of her as a girl.
Confrontation
- She must live with all males in tight quarters.
- She faces execution if she fails.
- She also must protect the prince, who knows her secret.
Knock-out Ending
- Ends with a huge battle between forces which have been conspiring since the first book, where all loose ends are tied up and she ends up with pretty much everything she wanted out of life, though with some losses.
Spices
- A secret
- Diverse characters that both deny and cater to stereotypes
- Diverse and real relationships that have problems and don’t always end perfectly
- An exciting setting
- An important message
- Action as well as more thoughtful parts
- Lots of good hour that doesn’t take away from the serious parts
- The unique world has multiple cultures and religions which the main character interacts with
Harry Potter series by J.K. Rowling
Lead
- Main Character is an orphan wizard with magical powers more magical than normal wizards who defeated an evil wizard when he was a baby.
- Setting is Hogwarts, a magical castle-school full of wizards.
Objective
- To survive the constant attacks of Voldemort also stop dead wizard Hitler.
- Pass wizard exams.
Confrontation
- He encounters many different obstacles including an entire half of a war force gunning against him. Basically people either want him dead or glorify him into the poster child of good. He later has a prophecy that says he cannot live while Voldemort survives, and can be the only one to kill Voldemort.
Knock-out Ending
- He defeats Voldemort and restores balance and rightness to the wizard world.
Spices
- Setting includes a secret world hidden within our own
- Almost all characters have interesting and sympathetic back stories, no one is truly pure evil
- Explores the full extent of the hard choices and damages of war
- Descriptions of setting are rich and colourful
- Engaging voice

- Even though it is a children's book it explores deep themes like corruption in the establishment

Describing a Setting Through a Character

Broken glass crunched under Ronald’s shoes  as he walked down Downing street. He hurriedly reached down and brushed the off with quick sweeps of his leather-gloved hand. These were Armani, goddamnit. They could not get scratched.
His old street had changed a lot since he had been there. Or maybe he just remembered it differently. The swing set didn’t used to be that decrepit, did it? Ronald shuddered to think of any child playing on something that dangerous, especially not himself.

He had gotten close enough to the building now that he could run his hand across the sign at the front door. THE CANDOR HOUSE FOR BOYS had become TH  CAN OR  OUSE FO  OYS at some point in time. Ronald wished he could have been here to rearrange the letters when they fell off.